THREE:The officer-of-the-day agreed. And Cairness, not having a hat to raise, forgot himself and saluted. Then he went back to the sutler's through the already pelting rain. He was glad he had caught Lawton, mainly because of what he hoped to get out of him yet, about the Kirby affair. But he was sorry for the big clumsy fool, too. He had been an easy-going, well-intentioned boss in the days when Cairness had been his hand. And, too, he was sorry, very sorry, about the pony. If it were to fall into the hands of Mexicans or even of some of the Mescalero Indians, his chances of seeing it again would be slight. And he was fond of it, mainly because it had helped him to save Mrs. Landor's life.Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.
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FORE:The truth is that critics seem to have been misled by a superficial analogy between the spiritualistic revival accomplished by Plotinus, and the Romantic revival which marked the beginning of the present century. The two movements have, no doubt, several traits in common; but there is this great difference between them, that the latter was, what the former was not, a reaction against individualism, agnosticism, and religious unbelief. The right analogy will be found not by looking forward but by looking back. It will then be seen that the Neo-Platonists were what their traditional name implies, disciples of Plato, and not only of Plato but of194 Aristotle as well. They stood in the same relation to the systems which they opposed as that in which the two great founders of spiritualism had stood to the naturalistic and humanist schools of their timeof course with whatever modifications of a common standpoint were necessitated by the substitution of a declining for a progressive civilisation. Like Plato also, they were profoundly influenced by the Pythagorean philosophy, with its curious combination of mystical asceticism and mathematics. And, to complete the analogy, they too found themselves in presence of a powerful religious reaction, against the excesses of which, like him, they at first protested, although with less than his authority, and only, like him, to be at last carried away by its resistless torrent. It is to the study of this religious movement that we must now address ourselves, before entering on an examination of the latest form assumed by Greek philosophy among the Greeks themselves.
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THREE:The military organisation of the empire had the further effect of giving a high social status to retired centurionsmen probably recruited from the most barbarous provincial populations, and certainly more remarkable for their huge size than for their mental gifts.316 When one of these heroes heard a philosopher state that nothing can be made out of nothing, he would ask with a horse-laugh whether that was any reason for going without ones dinner.317 On the other hand, when it came to be a question of supernatural agency, a man of this type would astonish the Jews themselves by his credulity. Imbued with the idea of personal authority, he readily fancied that anyone standing high in the favour of God could cure diseases from a distance by simply giving them the word of command to depart.318Chapter 20
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THREE:George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four childrenFrederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters.[See larger version]
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